Grammy Award For Best Female Country Vocal Performance
The Grammy Award for Best Female Country Vocal Performance was first awarded in 1965, to Dottie West. The award has had several minor name changes:
- From 1965 to 1967 the award was known as Best Country & Western Vocal Performance - Female
- In 1968 it was awarded as Best Country & Western Solo Vocal Performance, Female
- From 1969 to 1994 it was awarded as Best Country Vocal Performance, Female
- From 1995 to the present it has been awarded as Best Female Country Vocal Performance
The award will be discontinued from 2012 in a major overhaul of Grammy categories. From 2012, all solo performances (male, female and instrumental) in the country category will be shifted to the newly formed Best Country Solo Performance category.
Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
Read more about Grammy Award For Best Female Country Vocal Performance: Category Facts, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s
Famous quotes containing the words award, female, country, vocal and/or performance:
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“If civilization had been left in female hands we would still be living in grass huts.”
—Camille Paglia (b. 1947)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (1825–95)
“With sweet May dews my wings were wet,
And Phoebus fir’d my vocal rage;
He caught me in his silken net,
And shut me in his golden cage.
He loves to sit and hear me sing,
Then, laughing, sports and plays with me;
Then stretches out my golden wing,
And mocks my loss of liberty.”
—William Blake (1757–1827)
“Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers,
From their own music when they stray.”
—Thomas Campion (1567–1620)