Golden Legend - Value To Students of Medieval Culture

Value To Students of Medieval Culture

Written in simple, readable Latin, the book was read in its day for its stories. Each of these is well told, but in mass they tend to become monotonous and blur together, with their repetitious accounts of martyrdoms and miracles. The book is considered the closest to an encyclopaedia of medieval saint lore that survives today; as such it is invaluable to art historians and medievalists who seek to identify saints depicted in art by their deeds and attributes. Its repetitious nature is explained if Jacobus de Voragine meant to write a compendium of saintly lore for sermons and preaching, not a work of popular entertainment.

The critical edition of the Latin text has been edited by Giovanni Paolo Maggioni (Florence: SISMEL 1998).

A modern English translation of the Golden Legend has been published by William Granger Ryan, ISBN 0-691-00153-7 and ISBN 0-691-00154-5 (2 volumes).

A modern translation of the Golden Legend is available from Fordham University's Medieval Sourcebook.

Read more about this topic:  Golden Legend

Famous quotes containing the words students, medieval and/or culture:

    We are students of words: we are shut up in schools, and colleges, and recitation-rooms, for ten or fifteen years, and come out at last with a bag of wind, a memory of words, and do not know a thing.
    Ralph Waldo Emerson (1803–1882)

    Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.
    Philippe Ariés (20th century)

    Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.
    Ralph Waldo Emerson (1803–1882)