Architecture
Established as Imperial Forest Research Institute in 1906, Forest Research Institute (FRI) Dehradun, is a premier institution under the Indian Council of Forestry Research and Education (ICFRE). Styled in Greeko Roman Architecture by C.G. Blomfield, the main building is a National Heritage which was inaugurated in 1929.
FRI Dehradun is one of the oldest institutions of its kind and acclaimed the world over. The Institute’s history is virtually synonymous with the evolution and development of scientific forestry, not only in India, but over the entire sub-continent. Set in a lush green estate spread over 450 hactares, with the outer Himalaya forming its back drop, the institute’s main building is an impressive edifice, marrying Greco-Roman and Colonial styles of architecture, with a plinth area of 2.5 hactares. The Institute has a developed infrastructure of all equipped laboratories, library, herbarium, arboreta, printing press and experimental field areas for conducting forestry research, quite in keeping with the best of its kind anywhere in the world. It is 7 km from Clock Tower, on the Dehradun-Chakrata motorable road and is of the biggest forest based training institute in India. Most of the forest officers are a product of this institute. The F.R.I. with its majestic building also houses a Botanical Museum for the attraction of tourists
Read more about this topic: Forest Research Institute
Famous quotes containing the word architecture:
“And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.”
—Ralph Waldo Emerson (1803–1882)
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)