Field Hockey - Field of Play

Field of Play

Most hockey field dimensions were originally fixed using whole numbers of imperial measures. Nevertheless, metric measurements are now the official dimensions as laid down by the International Hockey Federation (FIH) in the "Rules of Hockey". The pitch is a 91.40 m × 55 m (100 yd × 60 yd) rectangular field. At each end is a goal 2.14 m (7 feet) high and 3.66 m (12 ft) wide measured from the inner sides of the posts and crossbar, and an approximately semi-circular area 14.63 m (16 yd) from the goal known as the shooting circle (or D or arc), bounded by a solid line, with a dotted line 5 m (5 yd 6 in—this marking was not established until after metric conversion) from that, as well as lines across the field 22.90 m (25 yd) from each end-line (generally referred to as the 23 m lines) and in the center of the field. A spot 0.15m in diameter, called the penalty spot or stroke mark, is placed with its centre 6.40 m (7 yd) from the centre of each goal.

Traditional grass pitches are far less common in modern field hockey with most field hockey being played on synthetic surfaces. Since the 1970s, sand-based pitches were favoured as they dramatically speed up the pace of the game. However, in recent years there has been a massive increase in the number of "water-based" artificial turfs. Water-based synthetic turfs enable the ball to be transferred more quickly than on the original sand-based surfaces and it is this characteristic that has made them the surface of choice for international and national league competitions. Water-based surfaces are also less abrasive than the sand-based variety and hence reduce the level of injury to players when they come into contact with the surface. The FIH are now proposing that new surfaces being laid should be of a hybrid variety which require less watering. This is due to the negative ecological effects of the high water requirements of water-based synthetic fields.

Read more about this topic:  Field Hockey

Famous quotes containing the words field and/or play:

    My business is stanching blood and feeding fainting men; my post the open field between the bullet and the hospital. I sometimes discuss the application of a compress or a wisp of hay under a broken limb, but not the bearing and merits of a political movement. I make gruel—not speeches; I write letters home for wounded soldiers, not political addresses.
    Clara Barton (1821–1912)

    We [actors] are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was.... My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.
    Helen Hayes (1900–1993)