Style
Eric Carle’s art is distinctive and instantly recognizable. His art work is created in collage technique, using hand-painted papers, which he cuts and layers to form bright and colorful images. Many of his books have an added dimension—die-cut pages, twinkling lights as in The Very Lonely Firefly, even the lifelike sound of a cricket’s song as in The Very Quiet Cricket.
The themes of his stories are usually drawn from his extensive knowledge and love of nature— an interest shared by most small children. Carle attempts to make his books not only entertaining, but also to offer his readers the opportunity to learn something about the world around them. When writing, Carle attempts to recognize children's feelings, inquisitiveness and creativity, as well as stimulate their intellectual growth; it is for these reasons (in addition to his unique artwork) that many feel his books have been such a success.
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Famous quotes containing the word style:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describescountrysides and figures, movements and gestureshow could he have a style, that is originality?”
—Rémy De Gourmont (18581915)
“Sometimes among our more sophisticated, self-styled intellectualsand I say self-styled advisedly; the real intellectual I am not sure would ever feel this waysome of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (19081973)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)