Early British Popular Music

Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the sixteenth and seventeenth centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the nineteenth century. Further technological, economic and social changes led to new forms of music in the nineteenth century, including the brass band, which produced a popular and communal form of classical music. Similarly, the Music hall sprang up to cater for the entertainment of new urban societies, adapting existing forms of music to produce popular songs and acts. In the 1930s, the influence of American Jazz led to the creation of British dance bands, who provided a social and popular music that began to dominate social occasions and the radio airwaves.

Read more about Early British Popular Music:  Broadside Ballads, Brass Bands, Parlour Music, Music Hall, Dance Bands (big Bands)

Famous quotes containing the words early, british, popular and/or music:

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    All of Western tradition, from the late bloom of the British Empire right through the early doom of Vietnam, dictates that you do something spectacular and irreversible whenever you find yourself in or whenever you impose yourself upon a wholly unfamiliar situation belonging to somebody else. Frequently it’s your soul or your honor or your manhood, or democracy itself, at stake.
    June Jordan (b. 1939)

    It is said the city was spared a golden-oak period because its residents, lacking money to buy the popular atrocities of the nineties, necessarily clung to their rosewood and mahogany.
    —Administration in the State of Sout, U.S. public relief program (1935-1943)

    Nothing is capable of being well set to music that is not nonsense.
    Joseph Addison (1672–1719)