Models
There are many different models of the Cry Baby manufactured by Dunlop Manufacturing, Inc, most are listed below:
- GCB-95 - Also known as the "Cry Baby Original". Typically the lowest priced model.
- GCB-95F Classic - A Cry Baby with a Fasel (classic Italian-made) inductor and a Hot Potz 100K Ohm potentiometer. This model also features true hardwire bypass.
- 95Q - A Switchless Cry Baby with a Q control (which varies the intensity of the wah effect), a volume boost, and the auto-return function.
- 535Q - Features tone shifting abilities using the Q control, six different wah ranges, a volume boost, and can also be used as sustain pedal.
- JH-1 Jimi Hendrix Signature - The Jimi Hendrix Signature Cry Baby is an original 1960s design to sound like Hendrix. Its circuitry is nearly identical to the GCB-95.
- JH-1FW Jimi Hendrix Fuzz Wah - A combination of the Jimi Hendrix Signature Wah and the Jimi Hendrix Fuzz. It can be used as a Wah Pedal, a Fuzz Pedal, or both at the same time.
- DB-01 Dimebag Signature - Dimebag Darrell's Signature Cry Baby. Based on the 535Q, as he used one prior.
- EW-95V Mister Cry Baby Super Volume - A Cry Baby that doubles as a wah pedal and a volume boosting pedal. It can provide a volume boost of up to 16 decibels.
- ZW-45 Zakk Wylde Signature - Zakk Wylde's Signature Cry Baby.
- 105Q Bass - A Cry Baby for bass guitars that only affects the mid and high frequencies, and features Q and Volume controls.
- SW-95 Slash Signature - Slash's Signature Cry Baby with an added heavy distortion booster introduced by Dunlop in 2007.
- SC-95 Slash Signature - Slash's Signature Cry Baby introduced by Dunlop in 2012.
- Limited Edition (1999) Purple, White, Red or Hammertone Gray
- EVH Signature - Eddie Van Halen's Signature Cry Baby.
- KH-95 Kirk Hammett Signature- Kirk Hammett's new Cry Baby.
- JC-95 Jerry Cantrell Signature- Jerry Cantrell's signature Cry Baby.
With the exception of the GCB95F and most of the artist signature wah's, many of the newer Cry Baby models use a single-pole switch instead of true-bypass; using single-pole switching instead of true-bypass adds significant impedance, which can affect the tone.
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