Selections From The Permanent Collection
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Jan Van Eyck, Saint Jerome in His Study, 1442
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Madonna and Child, Benozzo Gozzoli, c. 1460
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Master of the Tiburtine Sibyl, Crucifixtion, 1485
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Lucas Cranach the Elder, Saint Christopher, 1518–20
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Pieter Brueghel the Elder The Wedding Dance, 1566
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Diego Velazquez, Portrait of a Nobleman, 1623
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Rembrandt van Rijn, The Visitation, 1640
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Jacob Isaacksz van Ruisdael, The Jewish Cemetery, 1657
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John Henry Fuseli, The Nightmare, 1781
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John Singleton Copley, Watson and the Shark, 1782
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Edgar Degas, Violinist and Young Woman, 1870–72
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Paul Cezanne, Bathers, 1879
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Vincent Van Gogh, Self-Portrait with Straw Hat, 1887
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Vincent Van Gogh, Portrait of the Postman Joseph Roulin, 1888
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Paul Gaugin, Portrait of the Artist with the Idol, 1893
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Original Dawson Howdy Doody, Volkan Yuksel
Read more about this topic: Detroit Institute Of Arts
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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—Rutherford Birchard Hayes (18221893)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
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“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
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