The De Graeff Family During The Dutch Golden Age
During the Dutch Golden Age, the De Graeff family was very critical of the influence of the House of Orange. the De Graeffs belonged to the republican political movement, also referred to as the ‘state oriented’, as opposed to the Royalists. Together with the Republican political leaders, the Bicker family and Grand Pensionary Johan de Witt, the republican-minded brothers Cornelis and Andries de Graeff strived for the abolition of stadtholdership. They desired the full sovereignty of the individual regions in a form in which the Republic of the United Seven Netherlands was not ruled by a single person. Instead of a sovereign (or stadtholder) the political and military power was lodged with the States General and with the regents of the cities in Holland.
During the two decades from the 1650 to the 1670s the De Graeff family had a leading role in the Amsterdam administration, the city was at the peak of its political power. This period was also referred to by Republicans as the ‘Ware Vrijheid’ (True Freedom). It was the First Stadtholderless Period which lasted from 1650 to 1672 during these twenty years, the regents from Holland and in particular those of Amsterdam, controlled the republic. The city was flush with self confidence and liked to compare itself to the famous Republic of Rome. Even without a stadtholder, things seemed to be going well for the Republic and its regents both politically and economically.
In early 1671, Andries de Graeff was once again put forward as chief-mayor (regent) and managed to gain control with his Republican faction. During the winter of that year it seemed as if – at least in Amsterdam – the Republicans were winning. It was an exceptionally opportune moment to commission a monumental ceiling painting on Amsterdam’s independent position for the ‘Sael’ of his mayor’s residence. De Graeff had a clear message in mind for the ceiling painting: the ‘Ware Vrijheid’ of the Republic was only protected by the Republican regents of Amsterdam. The paintings by Gerard de Lairesse glorify the de Graeff family’s role as the protector of the Republican state, defender of ‘Freedom’. The work of art can be viewed as a visual statement opposing the return of House of Orange as Stadtholders of the republic.
In Rampjaar 1672, when the Organists took power again, the De Graeffs lost their position as one of the key States party families. In 1677, Andries de Graeff's only son, Cornelis, became a knight of the Holy Roman Empire. They traced their descent from Wolfgang von Graben, member of the Austrian noble House of Graben von Stein, which was an apparent (or illegitimate) branch of the House of Meinhardin.
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