Though he had been an architectural theorist and professor for many years, Libeskind completed his first building at the age of 52, with the opening of the Felix Nussbaum Haus in 1998. Prior to this, critics had dismissed his designs as "unbuildable or unduly assertive." The first design competition that Libeskind won was in 1987 for housing in West Berlin, but soon thereafter the Berlin Wall fell and the project was canceled. Libeskind won the first four projects he entered into competition for.
The Jewish Museum Berlin, completed in 1999, was Libeskind's first major international success and was one of the first buildings designed after reunification. Libeskind has also designed cultural and commercial institutions, museums, concert halls, convention centers, universities, residences, hotels, and shopping centers. Critics often describe Libeskind's work as deconstructivist.
Libeskind is perhaps most famous for being selected by the Lower Manhattan Development Corporation to oversee the rebuilding of the World Trade Center, which was destroyed in the September 11, 2001 attacks. He titled his concept for the site Memory Foundations.
Studio Daniel Libeskind, headquartered two blocks south of the World Trade Center site in New York, is currently working on over 40 projects across the world. The studio's most recent completed projects include the Contemporary Jewish Museum in San Francisco, California, The Ascent at Roebling's Bridge in Covington, Kentucky, and the Royal Ontario Museum in Toronto, Ontario.
In addition to his architectural projects, Libeskind also designs opera sets for productions such as the Norwegian National Theatre's The Architect in 1998 and Saarländisches Staatstheater's Tristan und Isolde in 2001. He also designed the sets and costumes for Intolleranza by Luigi Nono and for a production of Messiaen's Saint Francis of Assisi by Deutsche Oper Berlin. He has also written free verse prose, included in his book Fishing from the Pavement.
Read more about this topic: Daniel Libeskind
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Famous quotes containing the word career:
“Clearly, society has a tremendous stake in insisting on a womans natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)