Culture of New York City

The culture of New York City is reflected by the city's size and variety. Many American cultural movements first emerged in the city. The Harlem Renaissance established the African-American renaissance in the United States. American modern dance developed in New York in the early 20th century. The city was the top venue for jazz in the 1940s, expressionism in the 1950s, and the home of hip hop, punk rock, and the Beat Generation.

The city of New York is an important center for music, film, theater, dance and visual art. Artists have been drawn into the city by opportunity, as the city government funds the arts with a larger annual budget than the National Endowment for the Arts, and New York is a major center of the global art market which grew up along with national and international media centers.

Read more about Culture Of New York City:  Literature, Theatre, Music, Art, Dance, Film, Stand-up Comedy, Comic Books, Museums, Department of Cultural Affairs, Cultural Diversity, Festivals and Parades, The City in Popular Culture

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    The energy, the brutality, the scale, the contrast, the tension, the rapid change—and the permanent congestion—are what the New Yorker misses when he leaves the city.
    —In New York City, U.S. public relief program (1935-1943)

    Cynicism makes things worse than they are in that it makes permanent the current condition, leaving us with no hope of transcending it. Idealism refuses to confront reality as it is but overlays it with sentimentality. What cynicism and idealism share in common is an acceptance of reality as it is but with a bad conscience.
    Richard Stivers, U.S. sociologist, educator. The Culture of Cynicism: American Morality in Decline, ch. 1, Blackwell (1994)

    The white dominant culture seemed to think that once the Indians were off the reservations, they’d eventually become like everybody else. But they aren’t like everybody else. When the Indianness is drummed out of them, they are turned into hopeless drunks on skid row.
    Elizabeth Morris (b. c. 1933)

    I’m the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.
    Arthur Miller (b. 1915)

    When the city gate catches fire, it’s the fish in the moat who suffer.
    Chinese proverb.