The culture of New York City is reflected by the city's size and variety. Many American cultural movements first emerged in the city. The Harlem Renaissance established the African-American renaissance in the United States. American modern dance developed in New York in the early 20th century. The city was the top venue for jazz in the 1940s, expressionism in the 1950s, and the home of hip hop, punk rock, and the Beat Generation.
The city of New York is an important center for music, film, theater, dance and visual art. Artists have been drawn into the city by opportunity, as the city government funds the arts with a larger annual budget than the National Endowment for the Arts, and New York is a major center of the global art market which grew up along with national and international media centers.
Read more about Culture Of New York City: Literature, Theatre, Music, Art, Dance, Film, Stand-up Comedy, Comic Books, Museums, Department of Cultural Affairs, Cultural Diversity, Festivals and Parades, The City in Popular Culture
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“I am writing to resist the view that Europe and civilization are going to Hell. If I am being crucified for an ideaMthat is, the coherent idea around which my muddles accumulatedit is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
—Ezra Pound (18851972)
“And youre too fired up to go to sleep, you sit at the kitchen table. Its really late, its really quiet, youre tired. Dont wanna go to bed, though. Going to bed means this was the day. This Feb. 12, this Aug. 3, this Nov. 20 is over and youre tired and you made some money but it didnt happen, nothing happened. You got through it and a whole day of your life is over. And all it isis time to go to bed.”
—Claudia Shear, U.S. author. New York Times, p. A21 (September 29, 1993)
“The language of the younger generation ... has the brutality of the city and an assertion of threatening power at hand, not to come. It is military, theatrical, and at its most coherent probably a lasting repudiation of empty courtesy and bureaucratic euphemism.”
—Elizabeth Hardwick (b. 1916)