Culture of New York City - Film

Film

New York's film industry is smaller than that of Hollywood, but its billions of dollars in revenue makes it an important part of the city's economy and places it as the second largest center for the film industry in the United States.

New York was an epicenter of filmmaking in the earliest days of the American film industry, but the better year-round weather of Hollywood eventually saw California becoming the home of American cinema. The Kaufman-Astoria film studio in Queens, built during the silent film era, was used by the Marx Brothers and W. C. Fields. As cinema moved west, much of the motion picture infrastructure in New York was used for the burgeoning television industry. Kaufman-Astoria eventually became the set for The Cosby Show and Sesame Street.

New York City has recently seen a renaissance in filmmaking; 276 independent and studio films were in production in the city in 2006, an increase from 202 in 2004 and 180 in 2003. More than a third of professional actors in the United States are based in New York.

One of the filmmakers most associated with New York is Woody Allen, whose films include Annie Hall and Manhattan. Other New Yorkers in film include the actor Robert De Niro, who started the Tribeca Film Festival after the terrorist attacks on September 11, 2001, and the directors Martin Scorsese, Francis Ford Coppola, Spike Lee, Jim Jarmusch, Joel and Ethan Coen, and many others.

While major studio productions are based in Hollywood, New York has become a capital of independent film. The city is home to a number of important film festivals, including the Tribeca Film Festival, the New York Film Festival and the Human Rights Watch Film Festival, as well as major independent film companies like Miramax Films. New York is also home to the Anthology Film Archives, the earliest surviving collective of avant-garde filmmakers, which preserves and exhibits hundreds of underground works from the entire span of film history.

The oldest public-access television in the United States is the Manhattan Neighborhood Network, well known for its eclectic local programming that ranges from a jazz hour to discussion of labor issues to foreign language and religious programming. There are eight other Public, educational, and government access (PEG) cable TV channels in New York, including Brooklyn Cable Access Television.

New York City's municipally-owned broadcast television service, NYCTV, creates original programming that includes Emmy Award-winning shows like Blue Print New York and Cool in Your Code, as well as coverage of New York City government. Other popular programs on NYCTV include music shows; New York Noise showcases music videos of local, underground, and indie rock musicians as well as coverage of major music-related events in the city like the WFMU Record Fair, interviews of New York icons (like The Ramones and Klaus Nomi), and comedian hosts (like Eugene Mirman, Rob Huebel, and Aziz Ansari). The Bridge, similarly, chronicles old school hip hop. The channel has won 14 New York Emmys and 14 National Telly awards.

See also: New York in film and List of films set in New York City

Read more about this topic:  Culture Of New York City

Famous quotes containing the word film:

    Lay not that flattering unction to your soul,
    That not your trespass but my madness speaks;
    It will but skin and film the ulcerous place,
    Whilst rank corruption, mining all within,
    Infects unseen.
    William Shakespeare (1564–1616)

    I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.
    David Cronenberg (b. 1943)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)