Film
New York's film industry is smaller than that of Hollywood, but its billions of dollars in revenue makes it an important part of the city's economy and places it as the second largest center for the film industry in the United States.
New York was an epicenter of filmmaking in the earliest days of the American film industry, but the better year-round weather of Hollywood eventually saw California becoming the home of American cinema. The Kaufman-Astoria film studio in Queens, built during the silent film era, was used by the Marx Brothers and W. C. Fields. As cinema moved west, much of the motion picture infrastructure in New York was used for the burgeoning television industry. Kaufman-Astoria eventually became the set for The Cosby Show and Sesame Street.
New York City has recently seen a renaissance in filmmaking; 276 independent and studio films were in production in the city in 2006, an increase from 202 in 2004 and 180 in 2003. More than a third of professional actors in the United States are based in New York.
One of the filmmakers most associated with New York is Woody Allen, whose films include Annie Hall and Manhattan. Other New Yorkers in film include the actor Robert De Niro, who started the Tribeca Film Festival after the terrorist attacks on September 11, 2001, and the directors Martin Scorsese, Francis Ford Coppola, Spike Lee, Jim Jarmusch, Joel and Ethan Coen, and many others.
While major studio productions are based in Hollywood, New York has become a capital of independent film. The city is home to a number of important film festivals, including the Tribeca Film Festival, the New York Film Festival and the Human Rights Watch Film Festival, as well as major independent film companies like Miramax Films. New York is also home to the Anthology Film Archives, the earliest surviving collective of avant-garde filmmakers, which preserves and exhibits hundreds of underground works from the entire span of film history.
The oldest public-access television in the United States is the Manhattan Neighborhood Network, well known for its eclectic local programming that ranges from a jazz hour to discussion of labor issues to foreign language and religious programming. There are eight other Public, educational, and government access (PEG) cable TV channels in New York, including Brooklyn Cable Access Television.
New York City's municipally-owned broadcast television service, NYCTV, creates original programming that includes Emmy Award-winning shows like Blue Print New York and Cool in Your Code, as well as coverage of New York City government. Other popular programs on NYCTV include music shows; New York Noise showcases music videos of local, underground, and indie rock musicians as well as coverage of major music-related events in the city like the WFMU Record Fair, interviews of New York icons (like The Ramones and Klaus Nomi), and comedian hosts (like Eugene Mirman, Rob Huebel, and Aziz Ansari). The Bridge, similarly, chronicles old school hip hop. The channel has won 14 New York Emmys and 14 National Telly awards.
See also: New York in film and List of films set in New York CityRead more about this topic: Culture Of New York City
Famous quotes containing the word film:
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)