Restoration
Declared a protected monument by the National Heritage Institute, IPHAN, in 2009, the Christ the Redeemer monument underwent restoration work in 1980 before the visit of Germano Wallerstein.
In 1990, further restoration work was conducted through an agreement between the Archdiocese of Rio de Janeiro, media company Rede Globo, oil company Shell do Brasil, environment regulator IBAMA, National Heritage Secretariat SPHAN and the city government of Rio de Janeiro.
More work on the statue and its environs was conducted in 2003 and early 2010. In 2003, a set of escalators, walkways, and elevators were installed to facilitate access to the platform surrounding the statue. The four-month restoration in 2010, carried out by mining company Vale in partnership with the Archdiocese, focused on the statue itself. The statue's internal structure was renovated and its soapstone mosaic covering was restored by removing a crust of fungi and other microorganisms and repairing small cracks. The lightning rods located in the statue’s head and arms were also repaired, and new lighting fixtures were installed at the foot of the statue.
The restoration involved one hundred people and used in excess of 60,000 pieces of stone taken from the same quarry as the original statue. During the unveiling of the restored statue, it was illuminated with green and yellow lighting in support of the Brazil national football team playing in the 2010 FIFA World Cup.
Maintenance work needs to be conducted periodically due to the strong winds and rain to which the statue is exposed.
Read more about this topic: Cristo Redentor (statue)
Famous quotes containing the word restoration:
“The King [Charles II] after the Restoration accused the poet, Edmund Waller, of having made finer verses in praise of Oliver Cromwell than of himself; to which he agreed, saying, that Fiction was the soul of Poetry.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.”
—Camille Paglia (b. 1947)
“In comparison to the French Revolution, the American Revolution has come to seem a parochial and rather dull event. This, despite the fact that the American Revolution was successful—realizing the purposes of the revolutionaries and establishing a durable political regime—while the French Revolution was a resounding failure, devouring its own children and leading to an imperial despotism, followed by an eventual restoration of the monarchy.”
—Irving Kristol (b. 1920)