Early Baroque Concerto
The term "concerto" was initially used to denote works involving voices and instruments in which the instruments had independent parts—as opposed to the Renaissance common practice in which the instruments that accompanied voices only doubled the voice parts. Examples of this earlier form of concerto include Giovanni Gabrieli's "In Ecclesiis" or Heinrich Schütz's "Saul, Saul, was verfolgst du mich."
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