Modern Sculpture
The Colombian sculpture from the sixteenth to 18th centuries was mostly devoted to religious depictions of ecclesiastic art, strongly influenced by the Spanish schools of sacred sculpture. During the early period of the Colombian republic, the national artists were focused in the production of sculptural portraits of politicians and public figures, in a plain neoclassicist trend. During the 20th century, the Colombian sculpture tried to develop a bold, innovative work, which reach a better understanding of the national sensibility.
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Monument to Bachué by Luís Horacio Betancur, Medellín.
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Monument to the tayrona deities. Santa Marta
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Monument to India Catalina in Cartagena
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Vargas Swamp Lancers Memorial is the largest sculpture in Latin America
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Monument to Race bronze and concrete, 38 m height, located in Medellín Administrative Center, La Alpujarra, Antioquia
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Plaza Botero (Botero square) In Medellín with permanent display of several sculptures by Fernando Botero
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Bird ( By Fernando Botero) Was destroyed by a terrorist attack in 1997, Medellín where 17 people died. The remains of the sculpture are displayed in San Antonio Square as a memorial for the victims.
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Ranas bailando. (Dancing frogs) 1990. By María Fernanda Cardozo
Read more about this topic: Colombian Art
Famous quotes containing the words modern and/or sculpture:
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)
“You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.”
—Anna C. Brackett (1836–1911)