The College of Traditional Chinese Medicine (Chinese: 新疆中医药大学; pinyin: Xīnjiāng Zhōngyīyào Dàxué) is a degree awarding college working as a subsidiary of the Xinjiang Medical University, is the only autonomous institution of a higher Chinese medicine study in Urumqi. On May 31, 1985 the State Education Commission sanctioned the amount for the construction of the college building. In 1986, a new hospital building's construction started for the "under construction" college. On April 17, 1987 the Xinjiang government merged the college under the administration of the Xinjiang Medical University.
Famous quotes containing the words college, traditional, medicine, medical and/or university:
“The only trouble here is they won’t let us study enough. They are so afraid we shall break down and you know the reputation of the College is at stake, for the question is, can girls get a college degree without ruining their health?”
—Ellen Henrietta Swallow Richards (1842–1911)
“There are two kinds of fathers in traditional households: the fathers of sons and the fathers of daughters. These two kinds of fathers sometimes co-exist in one and the same man. For instance, Daughter’s Father kisses his little girl goodnight, strokes her hair, hugs her warmly, then goes into the next room where he becomes Son’s Father, who says in a hearty voice, perhaps with a light punch on the boy’s shoulder: “Goodnight, Son, see ya in the morning.””
—Letty Cottin Pogrebin (20th century)
“No medicine in the world can do thee good;
In thee there is not half an hour’s life.”
—William Shakespeare (1564–1616)
“As we speak of poetical beauty, so ought we to speak of mathematical beauty and medical beauty. But we do not do so; and that reason is that we know well what is the object of mathematics, and that it consists in proofs, and what is the object of medicine, and that it consists in healing. But we do not know in what grace consists, which is the object of poetry.”
—Blaise Pascal (1623–1662)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)