History
Established in 1991, the Center focuses on the application of electrical currents to either generate or suppress activity in the nervous system. This technique is known as functional electrical stimulation (FES). FES can produce and control the movement of otherwise paralyzed limbs for standing and hand grasp, activate visceral bodily functions such as bladder control or respiration, create perceptions such as skin sensibility, arrest undesired activity such as pain or spasm, and facilitate natural recovery and accelerate motor relearning.
The Functional Electrical Stimulation Center was founded to introduce FES into clinical practice, translating fundamental knowledge of electrical stimulation of paralyzed nerves and muscles into useful systems that enhanced the independence and quality of life for people with disabilities.
For over three decades, researchers and clinicians of the Cleveland FES Center have impacted virtually every aspect of implanted functional electrical stimulation as leaders in the development of the science and technology of neural activation and its clinical application. In 2003, the Center expanded its areas of expertise in cortical control, implantable systems and electrode technology.
The Center is funded by a Center of Excellence award from the Department of Veterans Affairs and individual grant support.
Read more about this topic: Cleveland FES Center
Famous quotes containing the word history:
“The history of the world is none other than the progress of the consciousness of freedom.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The history is always the same the product is always different and the history interests more than the product. More, that is, more. Yes. But if the product was not different the history which is the same would not be more interesting.”
—Gertrude Stein (1874–1946)
“False history gets made all day, any day,
the truth of the new is never on the news
False history gets written every day
...
the lesbian archaeologist watches herself
sifting her own life out from the shards she’s piecing,
asking the clay all questions but her own.”
—Adrienne Rich (b. 1929)