Classical Chinese Poetry - Influence of Classical Chinese Poetry

Influence of Classical Chinese Poetry

Classical Chinese poetry has been an influence both on modern Chinese poetry but also on the poetry of other languages. One group of languages on which Classical Chinese poetry had an early influence was on the poetry of the neighboring linguistic groups (that is, the local sprachbund), for example certain early forms of Vietnamese poetry, Korean poetry, as well as Japanese poetry forms such as kanshi. A more global influence has developed in modern times, including Beat poetry, exponents of which even produced translations of Classical Chinese poetry into English, such as Kenneth Rexroth (One Hundred Poems From the Chinese, 1956) and Gary Snyder (Riprap and Cold Mountain Poems, 1959, which includes translations of Hanshan).

Read more about this topic:  Classical Chinese Poetry

Famous quotes containing the words influence of, influence, classical and/or poetry:

    The example of America must be the example, not merely of peace because it will not fight, but of peace because it is the healing and elevating influence of the world, and strife is not. There is such a thing as a man being too proud to fight. There is such a thing as a nation being so right that it does not need to convince others by force that it is right.
    Woodrow Wilson (1856–1924)

    Exhaust them, wrestle with them, let them not go until their blessing be won, and, after a short season, the dismay will be overpast, the excess of influence withdrawn, and they will be no longer an alarming meteor, but one more brighter star shining serenely in your heaven, and blending its light with all your day.
    Ralph Waldo Emerson (1803–1882)

    Et in Arcadia ego.
    [I too am in Arcadia.]
    Anonymous, Anonymous.

    Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)

    There is no gilding of setting sun or glamor of poetry to light up the ferocious and endless toil of the farmers’ wives.
    Hamlin Garland (1860–1940)