Relation of Words and Music
As in an oratorio, the written text in a choral symphony can be as important as the music, and the chorus and soloists can participate equally with the instruments in the exposition and development of musical ideas. The text can also help determine whether the composer follows symphonic form strictly, as in the case of Rachmaninoff, Britten and Shostakovich, or whether they expand symphonic form, as in the case of Berlioz, Mahler and Havergal Brian. Sometimes the choice of text has led the composer to different symphonic structures, as with Szymanowski, Schnittke and, again, Havergal Brian. The composer can also choose to treat the text fluidly, in a manner more like music than narrative. Such was the case with Vaughan Williams, Mahler and Philip Glass.
Read more about this topic: Choral Symphony
Famous quotes containing the words relation, words and/or music:
“Every word was once a poem. Every new relation is a new word.”
—Ralph Waldo Emerson (1803–1882)
“The volatile truth of our words should continually betray the inadequacy of the residual statement. Their truth is instantly translated; its literal monument alone remains.”
—Henry David Thoreau (1817–1862)
“For I have learned
To look on nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity.”
—William Wordsworth (1770–1850)