Relation of Words and Music
As in an oratorio, the written text in a choral symphony can be as important as the music, and the chorus and soloists can participate equally with the instruments in the exposition and development of musical ideas. The text can also help determine whether the composer follows symphonic form strictly, as in the case of Rachmaninoff, Britten and Shostakovich, or whether they expand symphonic form, as in the case of Berlioz, Mahler and Havergal Brian. Sometimes the choice of text has led the composer to different symphonic structures, as with Szymanowski, Schnittke and, again, Havergal Brian. The composer can also choose to treat the text fluidly, in a manner more like music than narrative. Such was the case with Vaughan Williams, Mahler and Philip Glass.
Read more about this topic: Choral Symphony
Famous quotes containing the words relation, words and/or music:
“Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning “When” are much more numerous than those beginning “Where” of “If.” As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.”
—William Harmon (b. 1938)
“For the Lord thy God is a jealous God among you.”
—Bible: Hebrew Deuteronomy, 6:15.
The words are also found in Exodus 20:5, referring to the second commandment: “Thou shalt not make unto thee any graven image ... for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me.”
“If you really believe music is dangerous, you should let it go in one ear and out the other.”
—José Bergamín (1895–1983)