Final Years (1979 To 1982)
Carl Jefferson, president of Concord Records, created a subsidiary label called Concord Picante to market Latin jazz. In reality, Jefferson formed the label specifically to promote and distribute Tjader's work, whom he'd recently signed.
Unlike his excursions in the 1960s and his jazz-rock attempts in the 1970s, Tjader's Concord Picante work was largely straight-ahead Latin jazz. Electronic instruments and rock backbeats were dropped, reverting to a more "classic" sound. During the prior decade he'd built up a top-notch crew of young musicians, his best lineup since his Modern Mambo Quintet of the 1950s, with Mark Levine on piano, Roger Glenn on flute, Vince Lateano on drums, Robb Fisher on the bass, and Poncho Sanchez on the congas.
Tjader cut five albums for Concord Picante, the most successful being La Onda Va Bien (1979) (roughly "The Good Life") which earned a Grammy award in 1980 for Best Latin Recording. That Onda would win an award as best Latin album reveals Tjader's expertise and his ability to cultivate the same in his band. La Onda Va Bien is regarded as a seminal Latin Jazz album.
The A section of Tjader's "Sabor" is a 2-3 onbeat/offbeat guajeo, minus some notes.
Just as lifelong performer Tjader was born on tour, he also died on tour. On the road with his band in Manila, he collapsed from a heart attack and died on 5 May 1982.
Read more about this topic: Cal Tjader
Famous quotes containing the words final and/or years:
“The train rounds, bending to a scream,
Taking the final level for the dive
Under the river”
—Hart Crane (18991932)
“What had really caused the womens movement was the additional years of human life. At the turn of the century womens life expectancy was forty-six; now it was nearly eighty. Our groping sense that we couldnt live all those years in terms of motherhood alone was the problem that had no name. Realizing that it was not some freakish personal fault but our common problem as women had enabled us to take the first steps to change our lives.”
—Betty Friedan (20th century)