Brisingr - Critical Reception

Critical Reception

Brisingr received mixed to positive reviews, with critical reviewers commenting on the book's length and Paolini's growing maturity in his treatment of characters. David Durham of the Washington Post gave the novel a moderately negative review, praising Paolini for his streamlined prose, but said the novel loses focus in the middle. He added, though, that Brisingr "reconnects with the core elements that animate Eragon's tale" toward the end of the book, and Paolini shows growing maturity during some "quiet" moments in Brisingr, although Durham noted these parts could bore younger readers. Durham also found that Paolini's new characters are original, and that Paolini added depth to some characters from the previous novels in the Inheritance Cycle. In contrast, Sheena McFarland of The Salt Lake Tribune said that Paolini "hasn't learned how to create characters that readers can relate to," although she praised him for strong female characters in Brisingr such as Arya and Nasuada. McFarland calls the last fifty pages "riveting", but says they are a "paltry reward for trudging through the 700 preceding pages."

Publishers Weekly gave Brisingr a negative review, criticizing the novel for relying on "classic fantasy tropes", and noting that Brisingr might appeal to younger readers, but older readers might be unimpressed. Voice of Youth Advocates (VOYA) reviewer Kathleen Beck criticized the length of the book, accusing Paolini of "plainly wandering around in his fantasy world" and urging him to provide a cleaner finish to the series. She further criticized the content of the book, asserting that "there is a lot of action in but paradoxically not much forward motion." Haley Keeley of The Buffalo News, however, commented that with alternating points of views every few chapters, Paolini "manages to convey the complexity of the situation while offering refreshing new perspectives." Children's Literature writer Jamie Hain gave the book a positive review, praising the action scenes, as well as the appeal to both male and female readers. She asserts that it is a "long read", but it is "worth it for those who reach the end."