Early Years
For the period in cinematic history it represented, the Bombay Talkies was considered to be an innovative and highly resourced movie studio. In line with international standards, the studios' facilities included sound and echo-proof stages, laboratories, editing rooms and a preview theater. The reputation of the Bombay Talkies was further enhanced by employing experienced European technicians, the most prominent of whom was Franz Osten.
The Bombay Talkies set a high technical standard for film making in India and was credited with introducing a level of professionalism to the medium of movie making and acting, reputedly higher than standards set by rival Indian film production companies. Bombay Talkies' acquired a reputation for changing the aesthetic and technology traditionally associated with Indian films. It was also renowned for producing films on (then) controversial topics such as those dealing with love between an untouchable lower caste girl and a high caste Hindu Brahmin boy (Achhut Kanya).
Devika Rani, who became one of the Bombay Talkies' most successful actresses, and India's first film diva, appeared in Jawani ki Hawa (1935) and Jeevan Naiya (1936), as well as a number of other highly successful productions by the company. The studio was similarly recognized as having launched the careers of several prominent Indian film industry luminaries including Devika Rani, Ashok Kumar, Leela Chitnis, Raj Kapoor, Mehmood, Madhubala and Dilip Kumar. Madhubala and Dilip Kumar, who co-starred in four Bombay Talkies films, engaged in a long term, highly covert love affair.
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—Marcus Minucius Felix (late 2nd or early 3rd ce, Roman Christian apologist. Octavius, 38. 6, trans. by G.H. Rendell.
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