Barak Valley - Vegetation and Wild Life

Vegetation and Wild Life

The vegetation in the valley is mostly Tropical evergreen and there are large tracts of Rainforests in the northern and southern-eastern parts of the valley, which are home to Tiger, Elephants, Malayan sun bear, Capped langur, hoolock gibbon, etc. The forests of Barak valley were once rich in wildlife but now vanishing due to human onslaught. Rare species found are Hoolock gibbon, Phayre's leaf monkey, Pig-tailed macaque, Stump-tailed macaque, Masked Finfoot, White-winged Wood Duck, etc., have been recorded.

The Asian elephant has already vanished from most of the valley. The southern part was also recommended as 'Dhaleswari' wildlife sanctuary. Barail is the only wildlife sanctuary of the Barak valley region. It was initiated by noted naturalist Dr Anwaruddin Choudhury, who originally hailed from this region in early 1980s. This sanctuary was ultimately notified in 2004. Hailakandi have Inner line reserve forest and Katakhal reserve forest.

Read more about this topic:  Barak Valley

Famous quotes containing the words vegetation, wild and/or life:

    I would not have every man nor every part of a man cultivated, any more than I would have every acre of earth cultivated: part will be tillage, but the greater part will be meadow and forest, not only serving an immediate use, but preparing a mould against a distant future, by the annual decay of the vegetation which it supports.
    Henry David Thoreau (1817–1862)

    Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.”
    State of South Dakota, U.S. public relief program (1935-1943)

    Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life.
    Katherine Anne Porter (1890–1980)