Culture
Due to its long history, Banja Luka is rich in culture. There are several museums including the Museum of Bosanska Krajina, the Ethnographic Museum established in 1930, and the Museum of Modern Art of Republika Srpska. Banja Luka is also the home of the national theatre and library, both dating from the first half of the 20th century, and of numerous other theatres.
One of the most famous cultural sites in Banja Luka is the cultural centre of "Banski Dvor" (Halls of the Ban), built in the 1930s as the residence for the Bans of the Vrbas Banovina. It is a representative building in the very centre of the city housing the National Assembly along with a concert hall, gallery, state television, and a restaurant. Most of the main cultural and political events nowadays take place in the building.
The relatively poorly preserved fortress "Kastel" is found in the city centre. This mediaeval castle is one of Banja Luka’s main attractions. Located on the left bank of the Vrbas river, it gives a specific charm to the city. During the summer, music concerts take place in the fortress.
In the city there are many Cultural Artistic Associations. The oldest is CAA "Pelagić" (founded in 1927), one of the oldest institutions of this kind in Bosnia and Herzegovina.
Read more about this topic: Banja Luka
Famous quotes containing the word culture:
“The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But you’d never know it by talking to kids or listening to the messages they get from the culture and even from their schools.”
—Anna Quindlen (b. 1953)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)