Articles and Book Reviews
- Allen, Brooke. "A Suitcase Education." New York Times Book Review, 9/16/2001, p 24.
- Bloom, Michelle E. "Contemporary Franco-Chinese Cinema: Translation, Citation and Imitation in Dai Sijie’s Balzac and the Little Chinese Seamstress and Tsai Ming-Liang’s What Time is it There?" Quarterly Review of Film and Video, 22:311–325, 2005.
- Chevaillier, Flore. "Commercialism and Cultural Misreading in Dai Sijie's Balzac et la petite tailleuse chinoise." Forum for Modern Language Studies, 2011 Jan; 47 (1): 60-74.
- Coltvet, Ben McDonald. Review in Christian Century, 1/2/2002, Vol. 119 Issue 1, p 37. Abstract available at http://www.christiancentury.org/reviews/2011-05/balzac-and-little-chinese-seamstress-dai-sijie
- McCall, Ian. "French Literature And Film In The USSR And Mao's China: Intertexts In Makine's Au Temps Du Fleuve Amour And Dai Sijie's Balzac Et La Petite Tailleuse Chinoise." Romance Studies, Vol. 24 (2), July 2006.
- Riding, Alan. "Artistic Odyssey: Film to Fiction to Film." New York Times, 7/27/2005, p 1.
- Schwartz, Lynne Sharon. "In the Beginning Was the Book." New Leader, Sep/October 2001, Vol. 84 Issue 5, p. 23.
- Silvester, Rosalind. "Genre and Image in Francophone Chinese Works". Contemporary French and Francophone Studies, Vol. 10, No. 4, December 2006, pp. 367–375.
- Watts, Andrew. "Mao's China in the Mirror: Reversing the Exotic in Dai Sijie's Balzac et la Petite Tailleuse chinoise." Romance Studies, 2011 Jan; 29 (1): 27-39.
- Wiegand, David. "Painful Truths: Revolution-era Fable Explores the Consequences of Knowledge", San Francisco Chronicle, Sunday, October 28, 2001.
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