Auditory Masking - Effects of Different Stimulus Types

Effects of Different Stimulus Types

Experiments have been carried out to see the different masking effects when using a masker which is either in the form of a narrow band noise or a sinusoidal tone.

When a sinusoidal signal and a sinusoidal masker (tone) are presented simultaneously the envelope of the combined stimulus fluctuates in a regular pattern described as beats. The fluctuations occur at a rated defined by the difference between the frequencies of the two sounds. If the frequency difference is small then the sound is perceived as a periodic change in the loudness of a single tone. If the beats are fast then this can be described as a sensation of roughness. When there is a large frequency separation, the two components are heard as separate tones without roughness or beats. Beats can be a cue to the presence of a signal even when the signal itself is not audible. The influence of beats can be reduced by using a narrowband noise rather than a sinusoidal tone for either signal or masker.

Read more about this topic:  Auditory Masking

Famous quotes containing the words effects of, effects, stimulus and/or types:

    The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of—career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.
    Germaine Greer (b. 1939)

    If I had any doubts at all about the justice of my dislike for Shakespeare, that doubt vanished completely. What a crude, immoral, vulgar, and senseless work Hamlet is. The whole thing is based on pagan vengeance; the only aim is to gather together as many effects as possible; there is no rhyme or reason about it.
    Leo Tolstoy (1828–1910)

    Decisive inventions and discoveries always are initiated by an intellectual or moral stimulus as their actual motivating force, but, usually, the final impetus to human action is given by material impulses ... merchants stood as a driving force behind the heroes of the age of discovery; this first heroic impulse to conquer the world emanated from very mortal forces—in the beginning, there was spice.
    Stefan Zweig (18811942)

    The bourgeoisie loves so-called “positive” types and novels with happy endings since they lull one into thinking that it is fine to simultaneously acquire capital and maintain one’s innocence, to be a beast and still be happy.
    Anton Pavlovich Chekhov (1860–1904)