Ashcan School - Ashcan School and The Eight Gallery

Ashcan School and The Eight Gallery

  • Ashcan School artists, c. 1896, l to r, Everett Shinn, Robert Henri, John French Sloan

  • Thomas Pollock Anshutz, The Farmer and His Son at Harvesting, 1879. Five members of the Ashcan School studied with him, but went on to create quite different styles.

  • Robert Henri, Snow in New York, 1902, National Gallery of Art, Washington, DC

  • Everett Shinn, Cross Streets of New York, 1899, Corcoran Gallery of Art, Washington, DC.

  • William Glackens, Italo-American Celebration, Washington Square, 1912, Boston Museum of Fine Arts

  • John French Sloan, McSorley's Bar, 1912, Detroit Institute of Arts

  • George Luks, Houston Street 1917, oil on canvas, Saint Louis Art Museum

  • Edward Hopper, The El Station, 1908, Whitney Museum of American Art

  • George Bellows, Both Members of This Club (1909), National Gallery of Art. Bellows was a close associate of the Ashcan School.

  • Jacob Riis, Bandit's Roost 1888, (photo), considered the most crime-ridden, dangerous part of New York City.

  • Arthur B. Davies, Elysian Fields, oil on canvas, The Phillips Collection Washington, DC.

  • Maurice Prendergast, Central Park, New York 1901, Whitney Museum of American Art

Read more about this topic:  Ashcan School

Famous quotes containing the words ashcan, school and/or gallery:

    “Gold light in blind love does not distinguish
    one surface from another, the savor
    is the same to its tongue, the fluted
    cylinder of a new ashcan a dazzling silver,
    the smooth flesh of screaming children a quietness, it is all
    a jubilance....”
    —Denise Levertov (b. 1923)

    “Sure, you can love your child when he or she has just brought home a report card with straight “A’s.” It’s a lot harder, though, to show the same love when teachers call you from school to tell you that your child hasn’t handed in any homework since the beginning of the term.”
    —The Lions Clubs International and the Quest Nation. The Surprising Years, II, ch.3 (1985)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)