The Ashcan School, also called the Ash Can School, is defined as a realist artistic movement that came into prominence in the United States during the early twentieth century, best known for works portraying scenes of daily life in New York's poorer neighborhoods. The movement grew out of a group known as The Eight, whose only show together in 1908 created a sensation. Its members included five painters later associated with the Ashcan School: William Glackens (1870–1938), Robert Henri (1865–1929), George Luks (1867–1933), Everett Shinn (1876–1953) and John French Sloan (1871–1951). They had met studying together under Thomas Pollock Anshutz at the Pennsylvania Academy of the Fine Arts. Other members of The Eight were Arthur B. Davies (1862–1928), Ernest Lawson (1873–1939) and Maurice Prendergast (1859–1924), whose work diverged from the Ashcan School in style.
Read more about Ashcan School: Origin With The Eight, Ashcan School and The Eight Gallery
Famous quotes containing the words ashcan and/or school:
“Gold light in blind love does not distinguish
one surface from another, the savor
is the same to its tongue, the fluted
cylinder of a new ashcan a dazzling silver,
the smooth flesh of screaming children a quietness, it is all
a jubilance....”
—Denise Levertov (b. 1923)
“The first rule of education for me was discipline. Discipline is the keynote to learning. Discipline has been the great factor in my life. I discipline myself to do everything—getting up in the morning, walking, dancing, exercise. If you won’t have discipline, you won’t have a nation. We can’t have permissiveness. When someone comes in and says, “Oh, your room is so quiet,” I know I’ve been successful.”
—Rose Hoffman, U.S. public school third-grade teacher. As quoted in Working, book 8, by Studs Terkel (1973)