The Ashcan School, also called the Ash Can School, is defined as a realist artistic movement that came into prominence in the United States during the early twentieth century, best known for works portraying scenes of daily life in New York's poorer neighborhoods. The movement grew out of a group known as The Eight, whose only show together in 1908 created a sensation. Its members included five painters later associated with the Ashcan School: William Glackens (1870–1938), Robert Henri (1865–1929), George Luks (1867–1933), Everett Shinn (1876–1953) and John French Sloan (1871–1951). They had met studying together under Thomas Pollock Anshutz at the Pennsylvania Academy of the Fine Arts. Other members of The Eight were Arthur B. Davies (1862–1928), Ernest Lawson (1873–1939) and Maurice Prendergast (1859–1924), whose work diverged from the Ashcan School in style.
Read more about Ashcan School: Origin With The Eight, Ashcan School and The Eight Gallery
Famous quotes containing the words ashcan and/or school:
“Gold light in blind love does not distinguish
one surface from another, the savor
is the same to its tongue, the fluted
cylinder of a new ashcan a dazzling silver,
the smooth flesh of screaming children a quietness, it is all
a jubilance....”
—Denise Levertov (b. 1923)
“Children in home-school conflict situations often receive a double message from their parents: “The school is the hope for your future, listen, be good and learn” and “the school is your enemy. . . .” Children who receive the “school is the enemy” message often go after the enemy—act up, undermine the teacher, undermine the school program, or otherwise exercise their veto power.”
—James P. Comer (20th century)