Americana Music Association - History of The Americana Music Association

History of The Americana Music Association

Since 1999, the Americana Music Association has helped American roots music assume an elevated and secure place in the artistic and commercial life of the nation. What began as an informal gathering of dedicated colleagues has grown into a movement endorsed by major media and iconic artists. The Recording Academy added the category of “Best Americana Album” in 2009, and Merriam-Webster included the musical term into the dictionary in 2011.

The AMA has not only been a refuge for artistry in a time of tumult for popular music, but also, a resource for hundreds of upcoming artists, songwriters, musicians, and producers. Today, Americana is one of the best selling music genres according to Billboard’s Top 20 album charts - with artists like Mumford & Sons, The Avett Brothers, The Civil Wars, The Lumineers and more, becoming the mainstream and not the exception.

In the late 1990s, a group of about 30 volunteers from radio, record labels and media met informally at the South by Southwest music industry conference in Austin, Texas, to discuss collective action that could help the Americana community, including the possibility of a trade association. A facilitated retreat in October 1999 galvanized the idea, and the Americana Music Association was born. Early the following year, the Association hosted its first annual Americana Night at South by Southwest, and then in September 2000, the AMA held its first convention at the Hilton Suites in downtown Nashville, featuring showcase performances by Sam Bush, Rhonda Vincent, Rodney Crowell, and Jim Lauderdale. The Americana Honors and Awards were added to the convention in year three, and the evening proved moving and historic. Americana icons Emmylou Harris, Billy Joe Shaver, and T-Bone Burnett were given lifetime achievement awards for performing, songwriting, and executive achievement, respectively. After much behind-the-scenes planning, the audience was treated to a surprise performance by Johnny Cash and June Carter Cash with members of the Cash family. Johnny accepted the AMA’s first-ever “Spirit of Americana” Free Speech Award with a stunning recitation of his song-poem “Ragged Old Flag,” and then, despite his failing health, he and June led their family band through a set of songs that reached back through time. It turned out to be the last public performance the Cash’s would ever give together.

Over time, the fall event attracted larger groups of fans and industry conferees. In response, the organization formally changed the name of its event to the Americana Music Festival and Conference, welcoming not just those in the business, but anyone with a passion for music. By 2008, the event had expanded to four days, moved its Awards Show to the historic Ryman Auditorium, and attracted nearly 1,000 industry professionals, plus a cumulative total of over 12,000 visitors for the nighttime showcases.

Each year’s emotionally charged musical performances have been as varied as Americana itself: Levon Helm’s Ramble at the Ryman; John Fogerty in a packed Mercy Lounge; Grace Potter with the Waybacks channeling the Grateful Dead at the Cannery Ballroom; then newcomers, The Avett Brothers at the Station Inn with an audience of 150. The Civil Wars performed a breathtaking rendition of “Barton Hollow” at the Gibson Showroom which streamed live on Music City Roots where the world took notice. An unannounced duet by Robert Plant and Buddy Miller drove noted acerbic music industry blogger Bob Lefsetz to gush, “Their passion was palpable. My only desire was to get closer. My only hope was that the music would never end.”

Indeed, the annual fall festival and conference has attracted some of the most important figures in the history of Americana Roots Music, including Mavis Staples, Gregg Allman, Judy Collins, John Prine, Joan Baez, Emmylou Harris, Steve Earle, Rodney Crowell, Solomon Burke and Lyle Lovett.

International medias have taken notice as well, including Paste journalist Geoffrey Himes to declare the Americana Honors, “the best awards show in the world,” and noted author Ann Patchett, writing for the New York Times, proclaimed the Americana movement as “the coolest music scene today.”

Fueled by musical legends Bonnie Raitt, Booker T. Jones and Richard Thompson, the next generation of stars including Alabama Shakes, Punch Brothers and John Fullbright, along with music industry heavyweights, the 2012 Americana Music Festival and Conference saw over 15,000 fans, 300 artists and more than 1,200 music industry professionals, experiencing the unparalleled five day celebration of American Roots inspired music.

The Association’s capstone event, the Americana Music Honors & Awards aired live nationally on September 12 via AXS TV, broadcast via SiriusXM, WSM radio, and streamed by NPR.org. Musical segments of the Americana Honors & Awards show appeared on PBS nationwide during a special presentation: "ACL Presents: Americana Music Festival 2012" beginning November 10, 2012, in the Austin City Limits time slot. Additional international radio broadcasts via BBC2 and Voice of America began airing September 23.

Read more about this topic:  Americana Music Association

Famous quotes containing the words history of the, history of, history, music and/or association:

    The view of Jerusalem is the history of the world; it is more, it is the history of earth and of heaven.
    Benjamin Disraeli (1804–1881)

    The only thing worse than a liar is a liar that’s also a hypocrite!
    There are only two great currents in the history of mankind: the baseness which makes conservatives and the envy which makes revolutionaries.
    Edmond De Goncourt (1822–1896)

    History is not what you thought. It is what you can remember. All other history defeats itself.
    In Beverly Hills ... they don’t throw their garbage away. They make it into television shows.
    Idealism is the despot of thought, just as politics is the despot of will.
    Mikhail Bakunin (1814–1876)

    The time was once, when thou unurged wouldst vow
    That never words were music to thine ear,
    That never object pleasing in thine eye,
    That never touch well welcome to thy hand,
    That never meat sweet-savored in thy taste,
    Unless I spake, or looked, or touched, or carved to thee.
    William Shakespeare (1564–1616)

    The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.
    Edgar Lee Masters (1869–1950)