Plot
In Monte Athena, Italy, young lovers Lysander (Dominic West) and Hermia (Anna Friel) escape into the forest to escape the strict instructions from Hermia's father that she must be betrothed to Demetrius (Christian Bale), another young man who loves her. Demetrius follows them, having been made aware of the plan by Helena (Calista Flockhart), a young woman who is desperately in love with him. Once in the forest, they wander into the fairy world, ruled by King Oberon (Rupert Everett) and Queen Titania (Michelle Pfeiffer), two sparring local deities. Oberon and his servant sprite Puck (Stanley Tucci) cause mayhem among the lovers with a magic potion that causes both Lysander and Demetrius to fall in love with Helena, leading to a rift between all four that culminates (famously in this adaptation) in a mud-wrestling scene.
Meanwhile, Oberon bewitches Titania with the same potion, causing her to fall in love with a local weaver and amateur actor, Nick Bottom (Kevin Kline), whom Puck has furnished with the head of an ass. Titania woos Bottom in her bower, attended by fairies. Oberon tires of the sport and puts all to rights, pairing Lysander back with Hermia and Demetrius with Helena, and reconciling with his own queen, Titania. In the final part, Bottom and his troupe of "rude Mechanicals" perform their amateur play, based on the tragedy of Pyramus and Thisbe, before Duke Theseus (David Strathairn), his wife Hippolyta (Sophie Marceau), and the court, unintentionally producing a comedy.
Read more about this topic: A Midsummer Night's Dream (1999 Film)
Famous quotes containing the word plot:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)