13th Waffen Mountain Division of The SS Handschar (1st Croatian) - Composition

Composition

Sources differ regarding the division's initial composition. Pavlowitch states that sixty percent of its recruits were Muslims and the rest were Yugoslav Volksdeutsche who made up the majority of its officers and NCOs, while Tomasevich counters that it was formed with 23,200 Muslims and 2,800 Croats, with mostly German officers. He further states it was the largest of the Muslim SS Divisions with 26,000 men. Lepre indicates that the division's prescribed strength was reduced from 26,000 to 21,000, and Cohen states that the division achieved a maximum strength of 17,000 in April 1944. The division had a Muslim Imam for each battalion other than the all-German signal battalion. For about six months the division included about 1,000 ethnic Albanians from Kosovo and the Sandžak region who made up the 1st Battalion of the 2nd Regiment, which later became the 1st Battalion of the 28th Regiment (I/28).

By the time the division had completed its training, it was still about one third below its designated strength in both officers and NCOs, and its officer corps remained almost entirely German.

Read more about this topic:  13th Waffen Mountain Division Of The SS Handschar (1st Croatian)

Famous quotes containing the word composition:

    There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.
    Gertrude Stein (1874–1946)

    Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)