History
In 1908, John L. Metoyer and members of a New Orleans Mutual aid society called “The Tramps”, attended a vaudevillian comedy show called, “There Never Was and Never Will Be a King Like Me”. The musical comedy performed by the “Smart Set” at the Pythian Temple Theater on the corner of Gravier and Saratoga in New Orleans, included a skit where the characters wore grass skirts and dressed in blackface. Metoyer became inspired by the skit and reorganized his marching troupe from baggy-pant-wearing tramps to a new group called the “Zulus”. In 1909, Metoyer and the first Zulu king, William Story, wore a lard-can crown and carried a banana stalk as a scepter. Six years later in 1915, the first decorated platform was constructed with dry goods boxes on a spring wagon. The King’s float was decorated with tree moss and palmetto leaves.
In 1916, Zulu Social Aid and Pleasure Club became incorporated where the organization’s bylaws were established as well as its social mission and dedication to benevolence and goodwill.
In 1933, the Lady Zulu Auxiliary was formed by the wives of Zulu members, and in 1948, Edwina Robertson became the first Queen of Zulu making the club the first to feature a queen in a parade.
In the 1960s, membership dwindled as a result of social pressures from civil rights activists. The protesters advertised in the local black community's newspaper The Louisiana Weekly stating:
| “ | We, the Negroes of New Orleans, are in the midst of a fight for our rights and for a recognition of our human dignity which underlies those rights. Therefore, we resent and repudiate the Zulu Parade, in which Negroes are paid by white merchants to wander through the city drinking to excess, dressed as uncivilized savages and throwing cocoanuts like monkeys. This caricature does not represent Us. Rather, it represents a warped picture against us. Therefore, we petition all citizens of New Orleans to boycott the Zulu Parade. If we want respect from others, we must first demand it from ourselves. | ” |
The krewe, with support of the Mayor and Chief-of-Police, refused to fall from pressures and continued to parade, but gave up blackfacing, wearing grass skirts, and kept the identity of the king secret. Due to continued pressures, by 1965, there were only 15 Zulu members remaining. The membership of local civil rights leaders Ernest J. Wright and Morris F.X. Jeff, Sr. into Zulu, eventually lifted tensions and membership started to increase and the krewe resumed their old traditions including blackface.
In 1973, Roy E."Glap” Glapion, Jr., Zulu president from 1973–1988, started recruiting professionals, educators, and prominent businessmen from all ethnic backgrounds to fill its membership - making Zulu the first parading organization to racially integrate.
Read more about this topic: Zulu Social Aid & Pleasure Club
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