Reception
Critics and viewers found the serial to be relatively dull and unimaginative, not as interesting as even the somewhat tedious Radar Men from the Moon. The use of stock footage from earlier serials is not quite as overwhelming as it was in the earlier or later Cody outings, as greater emphasis is placed on fistfights than scenes with the rocket suit. Holdren's performance is often stiff and amateurish, especially when compared to the smooth professionalism of the old Republic pros who surround him on screen. Cline describes this serial as just a "quickie."
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“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)