Fictional Character Biography
Zom was created long ago for the purpose of destruction. Zom was imprisoned by several powerful magic users working together. He was fitted with a "crown of blindness" and "manacles of living bondage", and trapped inside a small amphora in another dimension by Eternity.
When faced with the unstoppable rage of the Hulk during "World War Hulk", Doctor Strange resorted to invoking Zom's essence into himself by drinking the contents of the amphora. In the following issue seven S.H.I.E.L.D.-employed mystics stated that he did channel Zom's powers, and he severely battered and damaged the Hulk, but began to lose control. He restrained Zom long enough for the Hulk to recover and knock him unconscious.
After Strange's defeat, the infernal entity resumed its mission to destroy the Earth dimension, and started by inhabiting Iron Man's discarded "hulkbuster" armor, to activate the latter's anti-matter doomsday device. Wong sought to recapture it into the urn, and was assisted by Hercules, Namora, the Angel, and Amadeus Cho. While it still proved too powerful to defeat, Amadeus managed to trick it into possessing his body, so the Angel could knock him out, and it was successfully resealed. Zom was referred to as severely depleted at the time.
During the assault of Amatsu-Mikaboshi on all of existence during the Chaos War storyline, Amatsu-Mikaboshi attacks Doctor Strange from behind, awakening the Zom part of Doctor Strange. Hiroim used his powers to try to exorcise Zom from Doctor Strange. Marlo Chandler later frees Strange from Zom.
Read more about this topic: Zom
Famous quotes containing the words fictional and/or character:
“One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.”
—Edmond De Goncourt (1822–1896)
“No sooner does a great man depart, and leave his character as public property, than a crowd of little men rushes towards it. There they are gathered together, blinking up to it with such vision as they have, scanning it from afar, hovering round it this way and that, each cunningly endeavouring, by all arts, to catch some reflex of it in the little mirror of himself.”
—Thomas Carlyle (1795–1881)