Career
Cassavetes' first experience with the filmmaking business was at the age of one, when she had an uncredited role in her late father John Cassavetes' film Minnie and Moskowitz as a baby girl, but it was not until 1991 that she had her first acting role in a film, Ted & Venus, which was followed with minor roles in the films Noises Off and The Thing Called Love. In 1994, she and her filmmaking friend Sofia Coppola created and hosted the Comedy Central television series Hi Octane, a skit and variety show that featured guests including Keanu Reeves, Beastie Boys and Martin Scorsese. Hi Octane lasted for only one season but is remembered as one of the first series to be entirely shot in digital video.
Her directorial debut was in 2000 on the Sundance Film Festival-featured short film Men Make Women Crazy Theory, but she is best known as the director and writer of the 2007 comedy-romance film Broken English, which featured Parker Posey and Gena Rowlands, Cassavetes' mother. Her inspiration for Broken English came from her perception of other people's impression that happiness can only come from being in love with someone, saying: "I got caught up and swept up in the whole idea that I didn't have any worth until I found that person ... So I just wanted to make a nice, little portrait about what happens to someone when they get caught up in all of that." She was nominated for the 2008 Independent Spirit Award for Best First Screenplay but lost to Diablo Cody for Juno.
In 2012 she was invited to participate in Miu Miu's ad campaign The Women's Tales. The short she created for the project The Powder Room premiered at the 69th Venice International Film Festival.
Read more about this topic: Zoe Cassavetes
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (17621835)