Works
He succeeded in having his plays put on the stage, where they met with much success. Verdi's opera Attila is based on Werner's drama of the same name. Werner's Der 24. Februar, thus titled because his mother and an intimate friend died on that day, introduced the era of the so-called “tragedies of fate.” Several of his dramatic poems were designed to evangelize freemasonry. Among his titles were:
- Vermischte Gedichte, 1789
- Die Söhne des Thals, 1803-1804, in two parts
- Die Templer auf Cypern, 1803
- Die Kreuzesbrüder, 1804
- Das Kreuz an der Ostsee, 1806
- Die Brautnacht, 1806
- Martin Luther oder die Weihe der Kraft, 1806
- Der vierundzwanzigste Februar, 1808 (translated into French by Jules Lacroix, Paris, 1849)
- Attila, König der Hunnen, romantische Tragödie, 1809
- Wanda, 1810
- Die Weihe der Unkraft, 1813, a recantation of his earlier work Martin Luther
- Kunigunde die Heilige, 1815
- Geistliche Übungen für drei Tage, 1818
- Die Mutter der Makkabäer, 1820
Zacharias Werner's Theater, a collection (without the author's consent) of Werner's work in 6 volumes, appeared in 1816-1818. Ausgewählte Schriften (Selected writings with a biography by K. J. Schütz) in 15 volumes appeared 1840-1841.
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Famous quotes containing the word works:
“We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
—Bible: New Testament, Galatians 2:15-16.
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)
“He never works and never bathes, and yet he appears well fed always.... Well, what does he live on then?”
—Edward T. Lowe, and Frank Strayer. Sauer (William V. Mong)