Composition
The song was composed by John Deacon, with a meter of 4/4 (12/8), with one bar in 6/4 during the chorus, and a key of C-major (a-minor).
The album A Night at the Opera features songs of numerous styles including this three-minute ballad pop song. Very unusually for the genre there is no section appearing more than twice. On the other hand, in terms of phrases and measures, we find numerous repetitions or variants. The form is cyclic and very similar to that of "Spread Your Wings" (1977). Another similarity between the two songs is the lack of (real) modulation. The arrangement features 3- and 4-part vocal and guitar harmonies (no rhythm guitar), bass (melodic approach), drums, and electric piano. This is Deacon's second recorded song and the first one released on single (some six months after the album-release). Mercury's lead vocal features lot of "special effects" (voice, rubato-ized rhythms, ornaments, slided notes).
Read more about this topic: You're My Best Friend (Queen Song)
Famous quotes containing the word composition:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.”
—David Hume (1711–1776)