Music Video
The music video was produced in black-and-white silent film style. Most of the outdoor scenes were filmed in Derby City Centre (UK).
In the video there are numerous elements of acting, cinematography, and editing that suggest an old-fashioned film style. The exaggerated gestures of the hat-wearing woman, helpless and fearful, and those of her quick-tempered lover hint at the acting style from 1920s expressionist films. The ostensive metaphors, such as the hypnotising of the woman by the man or the recurring shots of crossroad signs bearing names of romantic relationship-related attitudes, remind of the 1920s and 1930s efforts to express subjectivism in film. The use of circular masks, as to emphasize focal points or for a mere elegant look, also belongs to the aforementioned period. At the point where the woman first enters the man's bedroom and in the final rope scene, match cuts are used in a manner resemblant of that from silent experimental films. Mishra can be seen for brief moments on television screens in the background.
There is also a scene where the woman closes the door on the man's arm, as she tries to escape from his advances. This is a direct reference to a very similar scene from Salvador Dalí and Luis Buñuel's 1928 surrealist film Un chien andalou.
Read more about this topic: Your Woman
Famous quotes containing the words music and/or video:
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)