Young Fu of The Upper Yangtze - Author's Point of View

Author's Point of View

In terms of plot, the story is told through the eyes of Young Fu. However, in terms of the overall conception, the story is told from a Western point of view, which should be no surprise, as the author is a Westerner who herself lived in China and knows the country from first-hand experience. One can see the author's point of view in that the featured Westerner characters tend to be sympathetic, whereas unsympathetic Western characters or influences are merely mentioned or alluded to. However, Westerners are depicted only sporadically in the book, and by the middle of the book they have all evacuated the city, having flown to the gunboats on the Yangtze to avoid the general chaos of the warring Tuchuns.

The main character has a rather Western taste for progress and invention.

The author also appears to harbor a sympathy towards the Nationalist government vs. social/land reformers such as the Communists (however, one sees this sympathy only if one knows what to look for — a child might not notice it). Again, considering who the author is, this should be no surprise. This point of view does not detract from the plot of the book, and in fact can be the seed of discussions about author bias with students old enough to understand what that means.

Awards
Preceded by
Waterless Mountain
Newbery Medal recipient
1933
Succeeded by
Invincible Louisa

Read more about this topic:  Young Fu Of The Upper Yangtze

Famous quotes containing the words point of view, author, point and/or view:

    From the point of view of the pharmaceutical industry, the AIDS problem has already been solved. After all, we already have a drug which can be sold at the incredible price of $8,000 an annual dose, and which has the added virtue of not diminishing the market by actually curing anyone.
    Barbara Ehrenreich (b. 1941)

    An author who speaks about his own books is almost as bad as a mother who talks about her own children.
    Benjamin Disraeli (1804–1881)

    Many women are surprised by the intensity of their maternal pull and the conflict it brings to their competing roles. This is the precise point at which many women feel the stress of the work/family dilemma most keenly. They realize that they may have a price to pay for wanting to be both professionals and mothers. They feel guilty for not being at work, and angry for being manipulated into feeling this guilt. . . . They don’t quite fit at home. They don’t quite fit at work.
    Deborah J. Swiss (20th century)

    Put shortly, these are the two views, then. One, that man is intrinsically good, spoilt by circumstance; and the other that he is intrinsically limited, but disciplined by order and tradition to something fairly decent. To the one party man’s nature is like a well, to the other like a bucket. The view which regards him like a well, a reservoir full of possibilities, I call the romantic; the one which regards him as a very finite and fixed creature, I call the classical.
    Thomas Ernest Hulme (1883–1917)