Music Video
The music video is one of the first videos to use computer graphics. The video features band leader Ric Ocasek and model Susan Gallagher in a series of encounters. Ocasek appears in her bathroom mirror, in her mouth, as a fly, and as the Robot Monster, among other incarnations.
"You Might Think" won the first MTV Video Music Award for Video of the Year and was nominated for five more awards (best special effects, best art direction, viewer's choice, best concept video, and most experimental video) at the 1984 MTV Video Music Awards. The video also won five awards (best overall, best conceptual, most innovative, best editing, and best special effects) at Billboard's 1984 Video Music Awards and four awards (best achievement in music video, best editor in music video, best engineer in music video, and best camera in music video) at the Videotape Production Association's 1985 Monitor Awards.
Jeff Stein, and Alex Weil and Charlie Levi of VFX company Charlex, directed and produced the video. Danny Rosenberg and Bill Weber served both as editors and video engineers, Kevin Jones was the lighting director, Danny Ducovny the cinematographer and Bob Ryzner the art director. The video cost $80,000 to make which was almost triple the average music video budget of the time.
The video was one of several parodied by the music video for Phil Collins' "Don't Lose My Number".
Read more about this topic: You Might Think
Famous quotes containing the words music and/or video:
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)