Composition
"(You Drive Me) Crazy" is a teen pop song that draws influences from R&B and rock. The song's composition follows a simple formula and infuses edgy synthesized instruments, having a similar sound to Spears' debut single "...Baby One More Time" (1999). According to the sheet music published at Musicnotes.com by Universal Music Publishing Group, "(You Drive Me) Crazy" is composed in the key of C minor and runs through a moderatly slow dance beat infused metronome of 92 beats per minute. Spears' vocals were deemed as heavily processed when compared to the ones of her previous single, "Sometimes". Her vocal range spans over an octave, from the low-key of G to the high-note of D♭. The song has a sequence of Cm–A♭–G as its chord progression.
Read more about this topic: (You Drive Me) Crazy
Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (18741946)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)