Production Credits
- Executive Producers: William Hanna and Joseph Barbera
- Producer: Art Scott
- Directors: Ray Patterson, Carl Urbano
- Creative Producer: Iwao Takamoto
- Story Editors: Andy Heyward, Ray Parker, Jim Ryan
- Story: Herb Armstrong, George Atkins, Haskell Barkin, Jack Bonestell, Doug Booth, Chuck Couch, Mark Fink, Gary Greenfield, George Greer, Andy Heyward, Len Janson, Mark Jones, Glenn Leopold, Ray Parker, Sam Roeca, Jim Ryan, Susan "Misty" Stewart
- Story Direction: Tom Barron, Ed Benedict, John Bruno, Ron Campbell, Bob Dranko, Carl Fallberg, Jan Green, Cullen Houghtaling, Michael O'Connor, Don Sheppard, George Singer, Paul Sommer, Howard Swift, John Walker, Tom Yakutis
- Recording Directors: Alex Lovy, Art Scott
- Voices: Robert Behr, Joe Besser, Mel Blanc, Daws Butler, Tony Caruso, Ted Cassidy, Henry Corden, B.J. Cling, Joan Gerber, Marcy Goldman, Virginia Gregg, Bob Hastings, Ralph James, Casey Kasem, Dave Landsburg, Jim MacGeorge, Ginny McSwain, Don Messick, Gary Owens, Pat Parris, Hal Peary, Robert Peltz, Ronnie Schell, Marilyn Schreffler, Hal Smith, John Stephenson, Alexis Tramanti, Lennie Weinrib, Frank Welker
- Graphics: Iraj Paran, Tom Wogatzke
- Title Design: Bill Perez
- Musical Director: Hoyt Curtin
- Musical Supervisor: Paul DeKorte
- Design Supervisor: Bob Singer
- Character Design: Bob Singer, Willie Ito
- Layout Supervision: John Ahern, Warren Marshall, Bill Hutten, Tony Love
- Layout: Dale Barnhart, Lyle Beddes, Garnett Bugby, Barry Bunce, Fred Crippin, Todd Curtis, Cory Dangerfield, Owen Fitzgerald, Bob Foster, Rene Garcia, George Goode, Simon Gittins, Dave Hanan, Jack Huber, Homer Jonas, Boyd Kirkland, Sylvia Mattinson, Floyd Norman, Gerrard Pointak, Debra Pugh, Keith Sargent, Doyle Shaw, Kay Smith, Thomas Tholen, Greg Thurber, Grant Wilson
- Song Sequences: Director: Ken Mundie,
- Animator: Marija M. Dail
- Animation Supervision: Bill Keil, Jay Sarbry, Mark Glamack
- Animation: Bill Hutten, Tony Love, Carlos Alfonso, Juan Pina, Bob Alvarez, Cosmo Anzilotti, Isabel Belio, David Brain, Bob Cara, Amaro Carretero, Alberto Conejo, Daniel De La Vega, Ed De Mattia, Julio Diez, Valentin Domenech, Judy Drake, Thomas Fraish, Manuel Garcia Galiana, Charlette Grable, Angel Izquierdo, Walt Kubiak, Ed Love, Roberto Marcano, Ezequiel Martin, Luis Martinez, Lee Mishkin, Pedro Mohedano, Manuel Sanchez Molano, Pepita Pardell, Vicente Rodriguez, Mariano Rueda, Jim Simmon, Jose Luis Torres, Richard Trueblood, Norton Virgien, Allen Wilzbach
- Background Supervision: Al Gmuer
- Background: Deborah Akers, Dario Campanile, Dennis Durrell, Bob Gentle, Ann Guenther, Marsha Hanes, James Hickey, Paro Hozumi, Richard Khim, Bill Lorencz, Fernando Montealegre, Andy Phillipson, Bill Proctor, Michael Reinman, Jeff Riche, Craig Robertson, Sera Segal-Alsberg, Gary Selvaggio, Stephen Thompson, Peter Van Elk, Dennis Venizelos, Gloria Wood
- Checking and Scene Planning: Cindy Smith, Rollie Greenwood
- Xerography: Star Wirth, Yolanda Vallas
- Ink and Paint Supervision: Billie Kerns, Sharon Bryant
- Sound Direction: Richard Olson, Bill Getty
- Camera: Robert Cohen, John Cunningham, George Epperson, Tom Epperson, Chuck Flekal, Ron Jackson, Danny Larsen, Joe Ponticello, Jerry Smith, Larry Smith, Terry Smith, Brandy Whittington, Jerry Whittington
- Supervising Film Editor: Larry C. Cowan
- Dubbing Supervisor: Pat Foley
- Music Editors: Sam Horta, Warner Leighton, Terry Moore, Robert Talboy
- Effects Editors: Mark Green, Scott Hecker, Denise Horta, Robert R. Rutledge, Kerry Williams
- Show Editor: Gil Iverson
- Negative Consultant: William E. DeBoer
- Production Supervision: Peter Aries
- Production Manager: Jayne Barbera
- Post Production Supervisor: Joed Eaton
- A Hanna-Barbera Production
- RCA Sound Recording
- This Picture Made Under the Juridiction of IATSE-IA Affiliated with A.F.L.-C.I.O.
- © 1978 Hanna-Barbera Productions, Inc.
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)