Plot
Produced by SABTNL and aired on SAB TV every Friday Yes Boss is a comedy serial set in an office.
Meera (Kavita Kapoor) and Mohan (Rakesh Bedi) are married and working in the same office. They have not revealed their relationship to their boss Mr Varma (Asif Sheikh), who does not miss any chance of flirting with Meera. Mohan hates it and spends most of his time protecting his wife from Varma.The story revolves around a news channel company (earlier an ad agency) where Vinod Verma (Aashif Sheikh) works as the chief editor of the company, Mohan Srivastava (Rakesh Bedi) works as the Junior Supervisor and Meera Srivastava (Kavita Kapoor) works as the chief reporter. As Vinod has a crush on Meera, he tries to flirt with her; but she is married with Mohan, who shares a bitter-sweet relationship with Verma. Mohan has concealed this secret from the world, mainly Vinod. In Vinod's eyes, Meera is married to a very old person named Bunty-Ji, who is Mohan himself disguised as an old man, partly to irritate Vinod. The wife of Mr.Verma, Kavita Verma (Delnaaz Paul) also tries to stop this flirting of Vinod with Meera, and thus with new ideas Verma tries to flirt with Meera; it is up to Mohan to save his wife from the ever-flirtatious Vinod, some crooked way or the other.
Read more about this topic: Yes Boss (TV Series)
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)