Yeleazar Meletinsky - His Analysis of Comic Doublets

His Analysis of Comic Doublets

The traditions of the mythological narration, dealt with the figures of the ancestors-heroes civilizers, and their comic-demoniac doublets. Bakhtin summarized Meletinsky's analysis in his work on Rabelais:

This double aspect of the world and of human life existed even at the earliest stages of cultural development, in the folklore of primitive peoples. Coupled with the cults which were serious in tone and organization were other, comic cults which laughed and scoffed at the deity ("ritual laughter"); coupled with serious myths were comic and abusive ones; coupled with heroes were their parodies and doublets. These comic rituals and myths have attracted the attention of folklorists.

Meletinsky also cites Frejdenberg's analysis of the comic alter egos of the heroes.

In a class-based society, ritual laughter in popular culture creates an anti-clerical world of feasts, playful parody, and carnivals.

Hermes is a deified trickster, and Ulysses, the main character of the Odyssey, has a matrilinear discent from Hermes. In the Legendary Troy the mythological element also includes comic moments.

Read more about this topic:  Yeleazar Meletinsky

Famous quotes containing the words analysis and/or comic:

    “Whatever else American thinkers do, they psychologize, often brilliantly. The trouble is that psychology only takes us so far. The new interest in families has its merits, but it will have done us all a disservice if it turns us away from public issues to private matters. A vision of things that has no room for the inner life is bankrupt, but a psychology without social analysis or politics is both powerless and very lonely.”
    —Joseph Featherstone (20th century)

    “A guide book is addressed to those who plan to follow the traveler, doing what he has done, but more selectively. A travel book, in its purest, is addressed to those who do not plan to follow the traveler at all, but who require the exotic or comic anomalies, wonders and scandals of the literary form romance which their own place or time cannot entirely supply.”
    —Paul Fussell (b. 1924)