Career
With her distinctive and emotive style, Yasmin has brought a new interpretation to the medieval Judeo-Spanish (Ladino) song by incorporating more "modern" sounds of Andalusian flamenco and Persian, as well as combining instruments like the darbuka, oud, violin, cello, and piano.
Her debut album was Romance & Yasmin in 2000, which earned her a nomination as "Best Newcomer" for the fRoots / BBC Radio 3 World Music Awards 2005, followed in 2005 with her second album La Juderia (Spanish: The Jewish Quarter). In 2006 she was nominated again, then in the category "Culture Crossing".
On her second album, La Judería, she also covered the popular songs "Gracias a la Vida" by Violeta Parra and "Nací en Alamó" from the film Vengo, directed by Tony Gatlif, which in its original version won the 2001 César Award for Best Music Written for a Film (itself being a cover of "The Song of the Gypsies" (Greek: "Το Τραγούδι των Γύφτων"), written by Greek songwriter Dionysis Tsaknis in 1990).
Yasmin's work earned her the Anna Lindh Euro-Mediterranean Foundation Award for promoting cross-cultural dialogue between musicians from three cultures. In her own words:
I am proud to combine the two cultures of Ladino and flamenco, while mixing in Middle Eastern influences. I am embarking on a 500 years old musical journey, taking Ladino to Andalusia and mixing it with flamenco, the style that still bears the musical memories of the old Moorish and Jewish-Spanish world with the sound of the Arab world. In a way it is a ‘musical reconciliation’ of history.
Read more about this topic: Yasmin Levy
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)