Plot
Raj Singh Puri is best friends with L.K. Malhotra who is the younger brother of J.K. Malhotra. The brothers are business tycoons and Raj works in their company.
Raj has three daughters. Their mother, Shalini Singh Puri, died from being hit by a car while shopping. The first one, Avantika, gets married through arrangement. The second one, Sania, marries her lover, even though Raj said the family will not fit with their lifestyle and how they're brought up. The last, Isha, doesn't believe in love. After a few weeks at her in-laws, the second daughter (Sania) returns home asking for divorce. After this, Raj becomes strictly against love and relationships.
All this changes when Isha falls in love with the heir to the Malhotra empire, Ronit, L.K. Malhotra's son. They ask for Raj's blessing; he bluntly refuses them. Isha understandingly shuns her relationship with Ronit. Raj arranges for Ronit to be married to the daughter of another tycoon. Isha agrees & makes him promise that he won't do anything, and would listen to his parents, but deep down she still has really strong feelings for him. Ronit is unhappy, goes along with the promise, and makes Raj realise that his fiancée's family is not right for them. Raj approaches the Malhotras to break off the engagement. J.K. Malhotra shuns him by calling him poor and small. The other Malhotras join forces to make J.K. to realise his mistake and Ronit is finally married to Isha. At the end of the movie, Raj is still living in his farmhouse with his daughters and their husbands.
Read more about this topic: Yaadein (2001 Film)
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)