Selected Exhibition History
1920 – Xul Solar and the sculptor Arturo Martini, Galleria Arte, Milan, 27 November to 16 December
1924 – Exposition d’Art Américain-Latin, Musée Gallièra, Paris, 15 March to 15 April
1924 – Primer Salón Libre, Witcomb, Buenos Aires
1925 – Salón de los Independientes, Buenos Aires
1926 – Exposición de Pintores Modernos, Amigos del Arte, Buenos Aires
1929 – Xul Solar, Amigos del Arte, Buenos Aires, May
1930 – Salón de Pintores y Escultores Modernos, Amigos del Arte, Buenos Aires, October
1940 – Xul Solar, Amigos del Arte, Buenos Aires
1949 – Xul Solar, Galería Samos, Buenos Aires
1951 – Xul Solar, Galería Guión, Buenos Aires
1952 – Pintura y Escultura Argentina de Este Siglo, Museo Nacional de Bellas Artes, Buenos Aires
1953 – Xul Solar, Galería van Riel, Sala V, Buenos Aires
1963 – Homenaje a Xul Solar, Museo Nacional de Bellas Artes, Buenos Aires
1965 – Xul Solar: Exposición Retrospectiva, Galería Proar, Buenos Aires
1966 – III Bienal Americana de Arte: Homenaje a Xul Solar, Museo Provincial de Bellas Artes, Córdoba
1978 – Xul Solar, Galería Rubbers, Buenos Aires
1993 – Xul Solar: A Collector’s Vision, Rachel Adler Gallery, New York
1994 – Xul Solar: the Architectures, Courtauld Institute Galleries, London
2005 – Xul Solar: Visiones y Revelaciones, Colección Costantini, Buenos Aires, 17 June to 15 August
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Famous quotes containing the words selected, exhibition and/or history:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
—Northrop Frye (1912–1991)
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)