Selected Exhibition History
1920 – Xul Solar and the sculptor Arturo Martini, Galleria Arte, Milan, 27 November to 16 December
1924 – Exposition d’Art Américain-Latin, Musée Gallièra, Paris, 15 March to 15 April
1924 – Primer Salón Libre, Witcomb, Buenos Aires
1925 – Salón de los Independientes, Buenos Aires
1926 – Exposición de Pintores Modernos, Amigos del Arte, Buenos Aires
1929 – Xul Solar, Amigos del Arte, Buenos Aires, May
1930 – Salón de Pintores y Escultores Modernos, Amigos del Arte, Buenos Aires, October
1940 – Xul Solar, Amigos del Arte, Buenos Aires
1949 – Xul Solar, Galería Samos, Buenos Aires
1951 – Xul Solar, Galería Guión, Buenos Aires
1952 – Pintura y Escultura Argentina de Este Siglo, Museo Nacional de Bellas Artes, Buenos Aires
1953 – Xul Solar, Galería van Riel, Sala V, Buenos Aires
1963 – Homenaje a Xul Solar, Museo Nacional de Bellas Artes, Buenos Aires
1965 – Xul Solar: Exposición Retrospectiva, Galería Proar, Buenos Aires
1966 – III Bienal Americana de Arte: Homenaje a Xul Solar, Museo Provincial de Bellas Artes, Córdoba
1978 – Xul Solar, Galería Rubbers, Buenos Aires
1993 – Xul Solar: A Collector’s Vision, Rachel Adler Gallery, New York
1994 – Xul Solar: the Architectures, Courtauld Institute Galleries, London
2005 – Xul Solar: Visiones y Revelaciones, Colección Costantini, Buenos Aires, 17 June to 15 August
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Famous quotes containing the words selected, exhibition and/or history:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“The hardiest skeptic who has seen a horse broken, a pointer trained, or has visited a menagerie or the exhibition of the Industrious Fleas, will not deny the validity of education. “A boy,” says Plato, “is the most vicious of all beasts;” and in the same spirit the old English poet Gascoigne says, “A boy is better unborn than untaught.””
—Ralph Waldo Emerson (1803–1882)
“All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.”
—Sarah M. Grimke (1792–1873)