Xhosa music has long been a major part of the music of South Africa, especially in the field of jazz. There are many Xhosa clans, each with their own styles of drumming and dialects.
NoFinish Dywili assisted from 1979 in Africanising local Christian liturgical music and the Ngqoko Women's Cultural Group helped preserve the Xhosa music of the village of Ngqoko, including the married woman's umngqungqo style, danced at the intonjane ceremony of girls' rites of passage. Professor Andrew Tracey, director of the International Library of African Music, commented on "the polyphonic singing, the three types of bow they play (including the uhadi gourd bow) the umngqokolo overtone singing". According to Tracey, the Khoisan had a big influence on this music.
Read more about Xhosa Music: Performers
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“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
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