Characters
- Takuya Aihara (相原拓也/たくや?): The Main Character. He turns into a female by spilling a mysterious chemical on himself.
- Asuka Katakiri (片桐明日香?): A close friend of Takuya. Takuya has secretly been in love with her since childhood.
- Asami Satoh (佐藤麻美?): The president of the science club, of which she and Takuya are the only members. Though very smart, she is also somewhat unscrupulous in experimenting on Takuya.
- Professor Miyagi: The art teacher at Takuya's school. He is extremely kind and he gets along well with the students. Miyagi doesn't treat Takuya any differently after Takuya becomes a female by the accident.
- Nurse Keiko Matsunaga (松永啓子?): The school nurse. Most of the male students are smitten with her, enough though there have been rumors about her private practices in the nurse's office.
- Mr. Terada: The gym teacher, who was hard on the weak Takuya and is even harder in a different way when Takuya becomes a girl.
- Natsumi (相原夏美?): Takuya's older stepsister. She is controlling and always demands for things to go her way. She often abuses Takuya, the degree of which increases in the third game.
- Seiji (清次?): Natsumi's boyfriend, who shows an interest in the female Takuya.
- Koji Kudo (工藤弘二?): Being very shy, he doesn't have many friends. Strangely, he has fallen for the new Takuya who takes his virginity.
Read more about this topic: X-Change (visual novel)
Famous quotes containing the word characters:
“Unresolved dissonances between the characters and dispositions of the parents continue to reverberate in the nature of the child and make up the history of its inner sufferings.”
—Friedrich Nietzsche (1844–1900)
“Socialist writers are made of sterner stuff than those who only let their characters steeplechase through trouble in order to come out first in the happy ending of moral uplift.”
—Christina Stead (1902–1983)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)