Pre-Joy Electric History
Having experimented with live shows, formed countless after-school bands, and recorded an album that was never to be released under the moniker Morella's Forest with Randy Lamb, Ronnie and his brother Jason found their way onto Michael Knott’s fledgling label, Blonde Vinyl, with a dance album to produce, Songs and Stories.
After buying an old Akai sampler and a few synthesizers, Ronnie began crafting his own spin-off of current electronic "club" music. Still working with his brother Jason, Ronnie's new band, Dance House Children, posited cold, hypnotic electronica against quaint, old-fashioned lyrics. After producing another album, Jesus, Dance House Children found Jason leaving to pursue his own musical endeavors, Starflyer 59.
With the help of a few friends, Ronnie turned from the club-oriented music to a more melodic, orchestrated sound. A large range of instruments were used on his third album, containing timpanis, Moog synthesizers, and far more exotic sounds than anything he had previously produced. It was evident that Martin was quickly moving beyond the level of pre-programmed keyboard sounds as he became more well-versed in the programming of his synthesizers. Rainbow Rider: Beautiful Dazzling Music No. 1, the name of his third album, formed the bridge between Martin's "techno"-like early days and his enigmatic Joy Electric creation. Rainbow Rider was part of the name of Ronnie's third album, rather than a change in the name of the musical group from Dance House Children.
Read more about this topic: Workmanship (album)
Famous quotes containing the words electric and/or history:
“That’s the down-town frieze,
Principally the church steeple,
A black line beside a white line;
And the stack of the electric plant,
A black line drawn on flat air.”
—Wallace Stevens (1879–1955)
“We aspire to be something more than stupid and timid chattels, pretending to read history and our Bibles, but desecrating every house and every day we breathe in.”
—Henry David Thoreau (1817–1862)